Review: Misrule

3/5 stars

I put off reading this for three years, omg.

This was not my fave in the series. Maybe because it’s been so long since I adored the earlier instalments. I didn’t like that there was a greater focus on Phil, Phil’s mother, a funeral, etc. Like it felt like there was a lot of ‘waiting’ for things to happen– which, yes, adds to the tension, but not for 300/400 pages of the finale. Boo.

I wish there was a greater presence of Finn, he v much pulled a New Moon Edward and was like “to save you, I’m peacing out, goodbye” and then at the end was like “oh HeyYYyYYY.”

I loved when Finn called Pearl his “Pearl-friend” (not girlfriend haha).

I was so psyched to get into the fairy realm and explore all of the fairy-ness. But we hardly got any. It was a whole lot of blacking out. AHHHH.

What I did appreciate, as a NSW young adult: there were so many references to the HSC and it was gr8. I related. It was cute.

I feel that the first 250 pages should’ve been cut, and more should’ve been extended from the ending. I feel ripped off.


Review: The Betrothed


Header credit: @xenatine

Rating: 4/5 stars

Overall thoughts:
Picture yourself a slice of white bread. Then dip that piece of bread into a bucket of bleach. Let it dry. Then add some white-out ink on top. THAT’S HOW WHITE AND UN-DIVERSE THIS WORLD IS. Cass and publishers; you fail at the modern demands and expectations of 21st YA culture. It wasn’t that this book is overtly saying “Anglo-centrism or die” (though the undertones of the ‘darker, less creative’ nation really do emulate a LOT of eugenics ideology from the early 20th C), it’s that it was so… frustratingly… offensively… so one-dimensional. In every single aspect. The characterisation, the relationships, the world, the descriptions. They do not explore a single thing. It felt lazy. It felt harmful. Everybody is Anglo, everybody is hetro-normative, everybody is very conservative. The only ‘adverse’ character is Hollis, and that’s through her own rebelling to choose her own life. It has nothing to do with the production of this text.

What made this book worth 4 stars:
Rant out of the way, I thoroughly enjoyed this book from 60% onwards. The first 60% are just a refined, less painful version of the Selection. From 60%, the romances amp up, betrayal is cut-throat, and there is so much gore I actually cried on the bus from how horrific it was.

Something that makes this book unique/interesting:
This book has something so unique, I do want to promote its single redeeming feature: girl-power. Women in this story are the heart of our MC’s eyes. It begins with her stupid love triangle, but soon you realise— much more of this story is monitoring and exploring how each woman is interacting in this novel. We have the villains, the ‘more than meets the eye’, the suffering, the love, the trust, we have it all. The women in this book are the most multi-dimensional feature of this book. It improved dramatically once Hollis was out of the castle, and interacting with grown women. It felt empowering to read.

Something I’d have like to have seen go differently/improve on:
F*cking hell. Cass, publishing team, ANYONE. I don’t have a track record of reading even ONE lgbt story per month. I don’t go out of my way for marathons on say, a race/nationality readathon. But I’m also not somebody who is looking for white, Anglo-centric, Christian, metro, cis, rich cultures to be represented in every story. In fact, I detest it. We (readers, writers, and the industry) are so far beyond that. We were beyond it before The Hunger Games or Harry Potter. THEY for Gods sake have fictional allusions to the deeper issues in our society, such as colourism, racism, and poverty. This book and everybody involved should be ashamed of how poor effort this book was. It’s down-right oppressive in a very hidden manner. You should all know better, especially when you’re sending subliminal message to the YA audience.

If anyone is wondering what these covert meanings could be, have a look at who are the heroes and victims of this story; name one character’s life struggle that DOESN’T have to do with personal issues regarding wealth or legacy; tell me which characters find happiness and desire in their romantic relationships., and who suffers?

These are the messages they are telling young adult readers. If you are not Hollis, or Delia-Grace, aka white girls from the nobility, who conform to their romantic’s expectations, then you are the ones who will suffer. Who will not get your true love. And even so drastically so, not be significant or valid enough to have representation in a well-funded publication.

It’s infuriating to say the least. But I gave it a higher score because I thoroughly enjoyed the loops and twists by the end, to the point I was sitting on the edge of my seat. It was a comfort read for me, as a white girl from Anglo culture. I can only imagine this will be troubling for anyone else.

PS — I think the major plot twist for next book will be that the people who died in the fire aren’t really dead. We didn’t see their bodies, there’s no sure answer!!!

Reading Rush 2020 Entry + TBR

Good afternoon, readers!

Next week is the annual Reading Rush. This year, I’ve been motivated enough to actually log my progress via YouTube and ofc this blog.

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Review: The Hand on the Wall

The Hand on the WallThe Hand on the Wall by Maureen Johnson

My rating: 4 of 5 stars

Before you read on! I recommend you read my review of book one. For some reason I forgot to review book two (but I loved it).

Cover image by ella_a_novella (IG) 

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May Book Club Pick FINALE: Such a Fun Age (Chapters 22-28)

Hi book bloggers!

I’m in a book club that meets weekly to discuss one book per month. I write up summaries + discussion questions each week, and I welcome you to use them or transform them for your own enjoyment! Feel free to chat in the comments about your thoughts on the read. Read the summaries and discussion questions for the first quarter of the book, Chapters 1-7 here; the second quarter, Chapters 8-14 here; or the third quarter, Chapters 15-21 here.

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My First Ever Book Unhaul (18 Books Purged!)

As I grow closer to ending uni, and my new beautiful New Adult hardbacks find a temporary-home on the floor, I find myself needing to rid myself of books I bought back in 2015. It’s time to let go of some classic YA paperbacks, as well as some double ups, as well as 1/5 starred disappointments. 

Continue reading “My First Ever Book Unhaul (18 Books Purged!)”